land of stolen vowels
Do you remember the end of the first season of Mad Men, when Don’s pitching an idea to the bigwigs at Kodak? He’s standing up by their Carousel slide projector, flipping through visions of his memories. “This is not a spaceship, it’s a time machine,” he said. “It goes backwards and forwards, and it takes us to a place where we ache to go again.”
I’ve felt like I was standing up beside a slide projector these past few weeks, clicking through memories. And I couldn’t stop thinking of Don’s words, how photos take us “to a place where we ache to go again.” Albums full of images aren’t just art or trophies; they’re the narrators of our life stories, aren’t they? I came back from Croatia with a fully-loaded digital camera, but that memory card was filled with nostalgia as much as data. I’ve taken my sweet time to recount my single week in the Balkans, but that act has forced me to nurture my sense of adventure. It’s reminded me that there’s something bigger than my current existence in the faceless, traffic-ridden suburbs of Washington: there’s magic and danger and exhilaration out there. You just have to decide to go after it.







